I AM PLODDING THROUGH MUD
July 9 - 26
Opening reception: July 9, 6–9:00 p.m.
DIG writing workshop with ash good: Sunday July 12, 11:00 a.m.–1:00 p.m. Eventbrite link
CROPCIRCLE reading: Sunday, July, 12 4–6:00 p.m. Eventbrite link
Happening: Thursday, July 16, 6:30-9:30 p.m. Just show up!
1. Artists gather with chosen art supplies, instruments, or pencil/paper in hand
2. Warm crockpots of simmering soup and sourdough bread
3. Artists eat, drink, and engage in conviviality
4. Artists create, imagine, make, dream, explore in response to prompt
5. Art is shared
CANCELLED - Brick pigment making workshop with Cassie Tompkins: Saturday, July 18, 1-4 p.m.
A Dinner Party, Thursday, July 23, 6-9pm,
Limited seating: only 9 tickets available $75 per person: Reserve your seat and join us for this one-night gathering at: Jessicajoner@msn.com
Hidden Landscapes : Saturday,July 25, 11:AM. Free Discussion
Exquisite Corpse Poetry Writing: Sunday July26, 10-12 p.m. Eventbrite link
THE SPEAKER AT THE GATE: Closing Reception and Public Forum: Sunday July26, 1- 3 p.m. Free
Artists:
ahuva sz | Alice Christine Walker | Ansley Gwin | Cassie Tompkins | Kaitlyn Carr | Elizabeth Arzani | Emily Ginsburg | Jessica Joner | Linda Wysong | Luke Armitstead | Maya Vivas | Ryan Kitson | TarynTomasello |
Curator: ahuva sz
I AM PLODDING THROUGH MUD brings together thirteen artists who turn to the fundamental and unglamorous material at our feet: the earth. Working with clay means manipulating geological time —shaping a material formed through the weathering of the planet itself. In this show, clay is liberated from the pedestal and returned to its roots.
The artists in the show use these raw materials in unconventional, experimental ways. The clay manifests as a mound of dirt and metal armatures binding raw clay; it hangs overhead in suspended sculptures; it is printed and pressed into paper; it mimics a ceramic topographical map and even invites visitors to crawl into a dirt cave to draw.
Clay marks the transition from nomadic lifestyles to settled civilizations, anchoring us to place. The exhibition space is staged to mimic a metaphorical town square—a historic site of collective gathering and shared human experience. This square functions as an active laboratory for slowness and solidarity, featuring installation-based works that invite the audience to directly engage.
To plod is to move slowly, heavily, and with deliberate effort. In our contemporary moment, this labor feels universal. We find ourselves wading through the dense realities of societal fatigue, systemic struggle, and individual precarity.
Mud is a site of struggle, yes—it slows us down. But mud is also where things take root. It represents a radical return to basics, a humbling reminder of our interdependence, and a testament to human resilience. We do not want to plod alone. We want to gather, sustain one another, and keep moving—achieving this solidarity through workshops, readings, shared dining, making, conversing, or simply taking a pause to hang out in the square.